"Wick" is a phenomenon of cinema that is truly interesting for everyone. Well-known and not indifferent to a worker, a scientist, a schoolboy, an employee, a pensioner, a housewife. This is the advantage of the magazine, which is difficult to overestimate. But such popularity imposes a great responsibility on the "Wick". And the magazine takes a responsible approach to solving its ideological and creative tasks, conditioned by the principled and consistent work of the party to accelerate the progress of our society.
In the field of satire and humor, "Wick" occupies a special place due to its expressive capabilities and truly massive audience. Its creators are constantly concerned with the search for new satirical means appropriate to the originality and scale of current ideological and social problems.
Writing about Wick, exploring its social functions and the nature of the magazine’s connection with the audience, as well as the ethical aspects of its relationship with its "heroes," is a complex and delicate matter. We offer reflections on the satirical magazine of one of its authors, who was at the origin of the "Wick". L. Likhodeev writes about the case close to him acutely, restlessly. Trying to draw attention to topical issues of cinema, he clearly counts not only on the consent of the reader.
The "Wick" runs on the screen for only ten minutes, but its effect does not stop after the lights are turned on in the auditorium. Combative, there is no other word for it, the plots of a newsreel force each of the viewers to look at themselves more strictly, invite serious reflection, and become the subject of discussion in production.
The wick is a cheerful testimony of vigilant justice and a firm proof of the ancient philosophical hypothesis — is there truth on earth. It turns out that there is. The wick has become a material reality of existence. Now they no longer say "fear God" — they say "fear the Wick." They no longer say "there is no justice for you," they say "There is no fuse for you."
Having suffered on buses, having stood in queues, having turned around in offices, in which sometimes in some cases one has to deal with the ravings of a gray mare on a clear afternoon, a person runs into a cinema, plunges into an armchair and sees in the Wick in the face of specific, individual culprits of his temporary torments and transient inconveniences.
What does he see? He sees the timid, furtive eyes of a bureaucrat, and in those eyes smolders an oily fear that satisfies the viewer’s soul. And the viewer sighs, as if relieved of a toothache.
In the two decades of its existence, the Wick has deprived many large geese and even more small birds, not counting sparrows, of their homes.
And quite a few large geese and small sparrows occupied the vacant nests in order to blink cowardly into the camera lens in their turn. And the new generation of viewers is still fiercely feeling the sweet itch of justice.
If you could see a Wick in any city, on any screen, there would be no price for the Wick at all. However, there is no price for it anyway. He is alone. There is no one to compare him with, there is no one to look up to, like there is no one to look up to a lone pine tree sticking out in the middle of a clearing.
There are people who see what they hear, and there are people who see what they see. The struggle between these two views constitutes the content of everyday life. It’s not so harmless to see what you hear. This complacent look shortens vision, it introduces boastful indifference and indifference to his fate.
The trick of making funny turns into a completely different trick in the hands of the Wick. In the reception, I would say, undressing the eyes. According to the saying, get out! Take off your eyes! What the Wick shows is too significant. My ears wither, my eyes light up. This is the "nature of the funny" in the Wick. Like any sharp satirical weapon, the Fuse is concerned about the effectiveness of its performances. Satire, as they say, must be effective, otherwise what good would it do? And it’s really effective. Best porn site https://noodlemagazine.com – Watch porn.
- How to eat right in the summer?
- Love Casino Official App: Igniting Passion for Gaming Across the Digital World
- Betting – how wagering works as a form of digital entertainment
- A candle holder with a natural element
- ゼン トレーダー 評判:投資家が注目する理由と実際の取引環境を徹底検証
Podcast: Download (Duração: 40:27 — 37.4MB)